Gregor Eichinger discusses his focus on what he calls the “user interface,” the way in which architecture interacts with people intimately and individually, stressing the corporeal and acoustic over the visual. Eichinger presents images of his interiors and buildings without comment, followed by a series of musical sequences from a range of movies.
Peter Kogler surveys his early work, and describes the impact of first using computers to design patters that were silk-screened directly onto walls. He describes his work’s evolution from the late Nineties, employing synchronized projectors to animate spaces inside and outside, in galleries and public spaces throughout Europe.