After being introduced by Hernán Díaz Alonso, Elsie Owusu discusses in depth a project for “A Gallery for Returning Treasures” (GRT) in Kumasi Ghana. She describes the global movement for the restitution of cultural property and the significance of African artifacts lost through colonialism and theft, focusing on the material heritage of the Astante Empire. She describes how this project is linked to a Kumasi City Hall Complex, currently in development.
At 27:50. Owuso shares “Akrafokonmu / Soul Washer’s Badge,” an audio work incorporating sounds, music, and text, inspired by the heroism of Queen Mother Yaa Asantewaa (1840-1921) in the War of the Golden Stool, the Ashanti uprising against the British Empire in 1900.
At 32:30, Hernán Díaz Alonso and Owuso discuss the behavior of objects in terms of political relationships. Owuso stresses the magic contained in “that silent communication between architects, the public realm, and artifacts.”