Florencia Pita, Joseph Rosa and Eric Owen Moss discuss the Table's original installation at the University of Michigan Museum of Art (UMMA), and the function of color in the work. Moss lists the architectural conventions that he sees Florencia Pita's Table as rejecting, including tragedy, technology, spatiality, structure, material ...; prompting mixed agreement and dissent. The panelists respond to audience comments on the art/architecture distinction, visual art analogies, and part-to-whole issues.